It is scarred with past conflict-one regent is in exile, her realm forgo en and crawling with mice who serve as her soldiers. She is welcomed with open arms by the regents, particularly Sugar Plum Fairy, who confides that she was once very close with Marie.īut this strange new world is not whole. It’s there that Clara encounters a soldier named Phillip, a gang of mice and the regents who preside over three realms: Land of Snowflakes, Land of Flowers and Land of Sweets. Her confusion persists until a golden thread, presented to her at Drosselmeyer’s annual holiday party, leads her to the coveted key-which promptly disappears into a strange and mysterious parallel world. Clara is disappointed and confused, but determined to unlock the music box and the secrets it holds. “And her mother has left behind Christmas presents for Clara and her siblings, which sets everything into motion.”Ĭlara receives an egg-shaped music box with a note that reads, “Everything you need is inside.” But the box is locked and, surprisingly, there is no key. “It’s the first Christmas that her family is spending without Marie,” says Powell. In that respect, she’s very similar to her godfather, Drosselmeyer, so they’re kindred spirits.”īut Clara struggles with the recent passing of her mother. She likes creating and building and figuring out how things work. “She doesn’t fit into the normal stereotypes of a Victorian girl-she’s not interested in fancy dresses and the like. “She’s kind of a fish out of water,” says Powell. She is currently adapting YA novel “The Hazel Wood” for Sony.Īccording to screenwriter Ashleigh Powell, Clara isn’t really comfortable in her skin. Born and raised in Virginia, Powell loves world building and mythology creation, and crafting stories with complex female characters at their core. Thanks to her parents, who thought it was totally acceptable for a 10-year-old to read Stephen King and watch “The X-Files,” she developed a deep passion for all things sci-fi-fantasy and supernatural. Omid Djalili and Jack Whitehall portray palace guards Cavalier and Harlequin, and the film features a special performance by ballet greats Misty Copeland and Sergei Polunin.ĭisney’s The Nutcracker and the Four Realms introduces Clara, an intelligent 14-year-old with a penchant for science.Īshleigh Powell (Screen Story and Screenplay By) has been writing stories since the second grade. Stahlbaum, sister Louise, and brother Fritz, respectively. Ma hew Macfadyen, Ellie Bamber and Thomas Sweet were called on to play Clara’s father Mr. Jayden Fowora-Knight was cast as Phillip Hoffman, the Nutcracker soldier come-to-life. Grant play Hawthorne and Shiver, the regents of the Land of Flowers and Land of Snowflakes. Helen Mirren brings much-feared Mother Ginger to life, and Morgan Freeman stars as Clara’s eccentric godfather, Drosselmeyer. Keira Knightley stars as the Sugar Plum Fairy and Mackenzie Foy portrays Clara in the coming-of-age tale. Hoffmann, and the “Nutcracker Ballet” written by Marius Petipa, the screen story and screenplay are by Ashleigh Powell. Suggested by the short story “The Nutcracker and the Mouse King” written by E.T.A. “Clara, who is carrying a heavy emotional burden, encounters incredible personalities on her journey-each designed to help her find the answers she needs-whether they want to or not.”įilmed in England at Pinewood Studios and various locations in and around London, “The Nutcracker and the Four Realms” is directed by Lasse Hallström and Joe Johnston. “The characters in this film are very special and imaginative,” says Gordon. According to producer Mark Gordon, the characters from the existing short story and the ballet were already so iconic, they had to dig deep to take them to new heights. The filmmakers behind “The Nutcracker and the Four Realms” relished the idea of reinventing a time-honored story. The ballet is unique with each staging, evolving within the minds of those creating it. “Alexandre Dumas’ version was less scary, and later became a ballet featuring music by Pyotr Ilyich Tchaikovsky. “The story has changed a lot throughout the course of history,” says Lasse Hallström, who co-directs with Joe Johnston.
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